The contemporary art of mithila painting was born in the early 1960s, following the terrible Bihar famine. The women of Mithila were encouraged to apply their painting skills to paper as a means of supplementing their meager incomes. Once applied to a portable and thus more visible medium, the skills of the Mithila women were quickly recognized. The work was enthusiastically bought by tourists and folk art collectors alike. As with the wall paintings, these individual works are still painted with natural plant and mineral-derived colors, using bamboo twigs in lieu of brush or pen.
Over the ensuing forty years a wide range of styles and qualities of Mithila art have evolved, with styles differentiated by region and caste - particularly the Brahmin, Kayastha and Harijan castes. Many individual artists have emerged with distinctive individual styles. Among the best known early Brahmin artists have been the late Ganga Devi, Baua Devi, Sita Devi, and Karpoori Devi.
Todays leading artists, working in the kayastha style, include Pushpa Kumari
and her grandmother, Mahasundari Devi
, both represented in this show. Other painters in their family include Pradyumna Kumar
and Pushpas younger sister Mala Karn
. Works by several of these Mithila artists (Baua Devi, Sita Devi and Mahasundari Devi), along with Santhal jadupatua paintings and old Bengali scrolls, are included in the show Stories, Ceremonies and Souvenirs: Popular Paintings from Eastern India
, currently on display at the Philadelphia Museum of Art